Значение “неназванного имени” пленника в рассказе о Великом Инквизиторе Достоевского
DOI:
https://doi.org/10.13136/1013-2309/1782Abstract
The Significance of the “Unnamed” Name of the “Prisoner” in Dostoevsky’s Story of the Grand Inquisitor
In Dostoevsky’s The Grand Inquisitor, the figure of the “prisoner” is generally taken to be Jesus Christ, although the text itself fails to precisely identify this figure. The absence in The Grand Inquisitor of a Proper Name for the “prisoner”, together with other textual details, is crucial to the narrative’s intrinsic structural ambiguity. Despite the author’s project and his later comments, The Grand Inquisitor does not represent a dialogue between the old inquisitor and Christ, but a monologue before a silent, lofty figure, who may be Christ – or may not be. As in Dostoevsky’s literary work in general, ambiguity is the main mark of a dominant “poetics of paradox”.
Keywords: Dostoevsky; Grand Inquisitor; Christ; paradoxality; ambiguity
Downloads
Published
Issue
Section
License
Copyright (c) 2026 Laura Salmon

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Authors must attend to the following conditions:
- Authors will retain copyright of their work but give the journal first publishing rights. Articles will be simultaneously licensed by a Creative Common License - Attribution - No Commercial Use that permits other researchers to share the work by indicating the author’s intellectual property and its first publishing in this journal not for commercial use.
- Authors can adhere to other license agreements not exclusive to the distribution of the published version of their work (for example: include it in an institutional archive or publish it in a monograph) as long as they indicate that it was first published in this journal.
- Authors can disseminate their work (for example in institutional repositories or on their personal website) before and during the submission procedure, as it can lead to advantageous exchanges and citations of the work (see also, The Effect of Open Access).
If you have questions, you may contact:
or
dostoevsky-studies@ateneo.univr.it